![]() All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). If you have any questions or information to provide about the listed works, please email or write to: ![]() Provenance research is a work in progress, and is frequently updated with new information. Newberry, Jr.," Fogg Museum of Art, Harvard University, Cambridge, February 12-March 31, 1948. Included in the exhibition "Drawings and Watercolors, XIX and XX Centuries: From the Collection of John S. Included in the exhibition "Franz Marc: Gedächtnisausstellung," Galerie Nierendorf, Berlin, May 1936 (no. 20 ("Pferd im Regenbogen"), which lists the work as being in the collection of Maria Marc. Schardt, Franz Marc, Berlin: Rembrandt-Verlag, 1936, p. "Nachlass Franz Marc bestätigt Maria Marc/ Blaues Pferd mit Regenbogen" verso, lower center sheet, pencil, hand of Maria Marc. Newberry (1910-1964), New York, by 1948 acquired by The Museum of Modern Art, New York, 1964 (John S. For those customers who appreciate quality and want to own an artist's work as it was meant to be enjoyed we are here for you.This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.Each canvas reproduction may vary slightly in brush details due to the nature of being hand painted, so no two paintings are the same. Hand crafted means unique to every owner.Painting comes with a Certificate of Authenticity.100% hand painted oil painting on artist grade canvas.No printing or digital imaging techniques are used.Every painting is painted by an experienced artist.When ordering the painting framed - allow additional 5-7 days for delivery.Ordered without a frame, it will be delivered in protective tube within 21-28 business days.Otherwise, we will reproduce the above image for you exactly as it is. That you would like the artist to work from, please include it as an attachment. If you have another image of The Large Blue Horses You must email us after placing your order and we'll have an artist contact you. If you have any request to alter your reproduction of The Large Blue Horses, Each oil painting is created by hand using only the finest canvas and oil paints available. The Certificate of Authenticity which arrives with every painting provides an assurance and verifies the authenticity of the hand painted fine art reproduction you purchased. Real Oil Paints, Real Brushes, Real Artists, Real Art. ![]() © 2003 - 2022 - All Rights Reserved, original content, do not copy without permission. After this period, Marc’s work got more radical, and during the 1900s, he created some of his most daring works. They were interested in exploring abstraction and understanding the metaphysical dimension of color. Together, they detached from a local group of artists who were mainly exploring figuration and expressiveness. He eventually grew unsatisfied with Academic conventions, and after seeing some of the foremost Post-Impressionist artists in Paris, he decided to make his work as an autodidact artist.Īround 1910, Marc met Wassily Kandinsky in Munich. There, Marc had classes with some of the most respected artists from his time. After a brief trial in philology and serving the army, the young man joined the Munich Academy of Art. The bottom of the picture is filled with green grass, while the horizon is a mixture of red, green, blue, and yellow.įranz Marc was born in 1880. The horse on the right side has his head close to its trunk, creating a strong contrast between the deep blue and the potent white. To each of their sides, there is a thin white tree. The other one has his back to the audience. Two of them can be seen frontally by the viewer and have their faces looking down. The picture shows the audience three horses. His early work was very naturalistic and conventional, but he started to create countless studies on animal movements, and his work developed towards a more formal approach. Like the other pictures from this period, Marc employs a very restricted palette of primary colors: blue, red, yellow, green, and black. The Large Blue Horses was painted on a rectangular canvas. Main Menu > HELP > Requests and Commissions. ![]()
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